The Gail Gibson Gallery just opened a new exhibit of three photographers on June 4, 2009 through July 11, 2009. I get tired of verbally interpreting paintings and photography and sometimes just like to enjoy them visually, which I did this past weekend. There’s plenty to be said about the work on exhibit currently. Give some thought to purchasing a few prints this month. Below is the press release from the gallery. Freese recommends.
View Master is an exhibit of three artists, LORI NIX, GRACE WESTON, and JONAH SAMSON. The common denominator for these artists is in their masterful fabrication of intricate 3-dimensional sets, which are then photographed and later disassembled. The resulting works examine highly imaginative worlds, which illustrate humor, decay, and sexuality.
LORI NIX builds tabletop dioramas in a spare bedroom of her Brooklyn apartment. In her newest body of work, The City, Lori’s sets have become incredibly detailed as she creates scenes from an imagined urban environment that have succumbed to the nature of decay. Taking months to assemble, these dioramas show evidence of human abandonment, and take on a life of their own as nature slowly reclaims them. Church, Laundromat, and Botanical Garden are the latest additions to the ongoing series.
Lori Nix currently lives in Brooklyn, New York, but spent most of her life in the rural Midwest. Taking cues from the disaster movies of the 1970s and her memories of growing up in disaster-prone rural Kansas, Lori has blurred the line between truth and illusion with ‘in-house’ set ups and dioramas. In her first series, Accidental Kansas, she recreated floods, fatalities, tornadoes, and insect infestations. In the series Lost and Some Other Place, neighborhood sidewalks, city parks, and forays into the wilderness are reconstructed, playing out dark little dramas before the camera.
Lori’s work has been exhibited nationally. Recent museum exhibitions include Picturing Eden, a traveling exhibition from the George Eastman House in New York, and Fresh: Contemporary Takes on Nature and Allegory at the International Museum of Glass in Tacoma, WA. Lori’s honors include a 2004 Individual Artist Grant from the New York Foundation for the Arts, and a 2001 Light Work Artist-in-Residence in Syracuse New York. Work by Lori Nix is included in the collections of the Henry Art Gallery, Seattle WA; Microsoft Corporation; the Museum of Fine Arts, Houston; the Smithsonian American Art Museum, Washington DC; the George Eastman House, Rochester, NY; the Spencer Museum of Art, Kansas City; Harvard Business School, Cambridge, MA, Progressive Insurance, Cleveland, Ohio and Fidelity Insurance, Chicago, Illinois.
GRACE WESTON is a Portland photographer who creates narrative imagery with staged vignettes that combine humor, wit and psychological tension. The constructed sets, built from fabricated and found props, are whimsical stages that address personal and universal dilemmas, joys and fears. With the use of human and animal figures, her characters act out an internalized drama that often remind the viewer of a long forgotten nightmare or daydream.
Grace Weston’s work has been exhibited extensively throughout the northwest. She was recently included in the 2008 Photography Biennial: Nine to Watch, Northwest Photography Biennial, at the Whatcom Museum in Bellingham, WA, curated by Scott Wallin. Additionally, Grace was a recipient of a 2006 Individual Artist Fellowship and a 2009 Artist Career Opportunity Grant from the Oregon Arts Commission. She will use the later to travel to Madrid this summer for the upcoming Photo España’s Descubrimientos Madrid, a portfolio review and exhibition. Grace is among the 70 photographers chosen from a field of 900 to participate in this June 2009 event.
Photographs by Grace Weston are included in the collections of King County’s 4Culture Portable Works, Seattle, WA; the City of Seattle Portable Works, Seattle, WA; Portland Community College, Portland, OR; and University of Oregon’s Jordan Schnitzer Museum of Art, and Erb Memorial Union, Eugene, OR.
JONAH SAMSON’s dark sense of humor and fascination with the macabre influences his recent body of work Pleasantville. His hand-assembled and painted sets of murder scenes and sexual encounters are born out of our cultures attraction to sex and violence as entertainment, and walk the line between humor and tragedy. Works in this exhibit focus on the voyeuristic sex scenes; titles include Peeping Tom, Happy Trails, and F*cking.
Jonah Samson celebrates his first commercial gallery exhibit as a contributing artist to View Master, and will enjoy his first solo exhibit this fall at Chernoff Fine Art in Vancouver, BC. Jonah has been writing, curating, collecting, and making art for over a decade. He is a contributor to the daily blog Cool Hunting, and his writing on photography has been included in several magazines across North America. Jonah recently published a collection of his Polaroid images of couples kissing in a book called Kissing Pictures 1998-2008. Tickl magazine will feature a spread of these playful and erotic Polaroids in their next issue due to be released in summer 2009.
Jonah currently lives in Vancouver, Canada with his French Bulldog named Beckett, and works as a family doctor focusing on inner-city health issues. He is presently working on a new series of dioramic photographs called Noir, based on early 20th century crime scene photographs.